Search results for "VDP::Teatervitenskap: 172"

showing 2 items of 2 documents

Uenighetsdramaturgier

2019

Hvordan kan samtidsteater bli arena, laboratorium og katalysator for «uenighetsfellesskaper» (Iversen, 2014)? I denne artikkelen drøfter jeg teatersituasjonens potensial for uenighetsfellesskap og ser uenighet i forestillinger i relasjon til uenighet om forestillinger før jeg analyserer to eksempler på «uenighetsdramaturgier». I de kontekstsensible analysene undersøker jeg hvordan publikumets interne uenighet kommer til uttrykk, og hvordan det dramaturgisk legges til rette for denne uenigheten.

Kontroversielle temaContemporary theatreControversial subjectsUenighetsfellesskapmedia_common.quotation_subjectArt historyDramaturgyArtDramaturgyVDP::Theatre studies: 172Communities of disagreementSamtidsteaterDramaturgiVDP::Teatervitenskap: 172media_commonKunst og konflikt
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Scenekunstens (for)handlingsrom etter 22. juli

2019

In this article I discuss theatre’s scope of action after the 2011 terror attacks in Norway (“22. July”), with an emphasis on independent theatre, aesthetic heteronomy and the public sphere. A theatre manager’s (Jon Refsdal Moe) retrospect account of and reflections upon a case of self-censoring is the starting point for my (re-)examination of the arguments and dynamics concerning some of the most prominent contentious 22. July performances. I discuss how the controversies can be understood and dealt with, and how they are connected to theatre’s scope of action and place in society today. In my argument, I differentiate between the public sphere as an arena for discussion and debate (which …

Teater og 22 juliMedia studiesTheatre and the terror attacks 07/22Offentlighet22 JulyVDP::Theatre studies: 172Peer review22. juliPolitical scienceFri scenekunstPublic spherePublic sphereVDP::Teatervitenskap: 172Independent theatre
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